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The language of new media / Lev Manovich.

By: Material type: TextTextSeries: Leonardo (Series) (Cambridge, Mass.)Publication details: Cambridge, Mass. : MIT Press, 2002.Edition: 1st MIT Press pbk. edDescription: xxxix, 354 p. : ill. ; 23 cmISBN:
  • 0262133741 (hc. : alk. paper)
  • 0262632551
Subject(s): DDC classification:
  • 302.2 21
LOC classification:
  • P96.T42 M35 2002
Contents:
Foreword / Mark Tribe -- Prologue: Vertov's Dataset -- 1. What Is New Media? -- How Media Became New -- Principles of New Media -- What New Media Is Not -- 2. The Interface -- The Language of Cultural Interfaces -- The Screen and the User -- 3. The Operations -- Menus, Filters, Plug-Ins -- Compositing -- From Image Streams to Modular Media -- The Resistance to Montage -- Archeology of Compositing: Cinema -- Archeology of Compositing: Video -- Digital Compositing -- Compositing and New Types of Montage -- Teleaction -- Representation Versus Communication -- Telepresence: Illusion Versus Action -- Image-Instruments -- Telecommunication -- Distance and Aura -- 4. The Illusions -- Synthetic Realism and Its Discontents -- Technology and Style in Cinema -- Technology and Style in Computer Animation -- The Icons of Mimesis -- The Synthetic Image and Its Subject -- Illusion, Narrative, and Interactivity -- 5. The Forms -- The Database -- Navigable Space -- 6. What Is Cinema? -- Digital Cinema and the History of a Moving Image -- The New Language of Cinema.
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Holdings
Item type Current library Call number Status Date due Barcode
Books Books Symbiosis School for Liberal Arts 302.2 (Browse shelf(Opens below)) Available SSLA-B-5067

Includes bibliographical references and index.

Foreword / Mark Tribe -- Prologue: Vertov's Dataset -- 1. What Is New Media? -- How Media Became New -- Principles of New Media -- What New Media Is Not -- 2. The Interface -- The Language of Cultural Interfaces -- The Screen and the User -- 3. The Operations -- Menus, Filters, Plug-Ins -- Compositing -- From Image Streams to Modular Media -- The Resistance to Montage -- Archeology of Compositing: Cinema -- Archeology of Compositing: Video -- Digital Compositing -- Compositing and New Types of Montage -- Teleaction -- Representation Versus Communication -- Telepresence: Illusion Versus Action -- Image-Instruments -- Telecommunication -- Distance and Aura -- 4. The Illusions -- Synthetic Realism and Its Discontents -- Technology and Style in Cinema -- Technology and Style in Computer Animation -- The Icons of Mimesis -- The Synthetic Image and Its Subject -- Illusion, Narrative, and Interactivity -- 5. The Forms -- The Database -- Navigable Space -- 6. What Is Cinema? -- Digital Cinema and the History of a Moving Image -- The New Language of Cinema.

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