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Indian Painting: The Lesser Known Traditions

By: Material type: TextTextPublication details: NIYOGI BOOKS 2011Description: 216pISBN:
  • 9788189738815
Uniform titles:
  • Indian Painting: The Lesser Known Traditions
Subject(s): DDC classification:
  • 750 SID-B-8482
Summary: India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop. The present collection of papers is the volume of the proceedings of the conference ‘Indian Painting: The Lesser-Known Traditions’ held in Houston in 2008. The aim of the conference was to highlight these lesser-known artistic expressions grouped, until the recent past, under the heading of ‘folk art’. These artistic expressions are now beginning to be recognised as of pivotal importance for an understanding of the social setting in which they have evolved. The essays concentrate on Assam, Bengal, Rajasthan, Andhra Pradesh, Tamil Nadu, Karnataka and Kerala. The time-span, covered by the works discussed by the contributors, ranges from the late seventeenth century to the present day.
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Holdings
Item type Current library Call number Status Date due Barcode
Books Books Symbiosis Center for Media & Communication, Vimannagar 709.54 (Browse shelf(Opens below)) Available SCMC-B-3840
Books Books Symbiosis Institute of Design On Display 750 SID-B-8482 (Browse shelf(Opens below)) Available SID-B-8482

India has an astonishingly rich variety of painting traditions. While miniature painting schools became virtually extinct with the decline of aristocratic patronage, a number of local vernacular idioms still survive and continue to develop. The present collection of papers is the volume of the proceedings of the conference ‘Indian Painting: The Lesser-Known Traditions’ held in Houston in 2008. The aim of the conference was to highlight these lesser-known artistic expressions grouped, until the recent past, under the heading of ‘folk art’. These artistic expressions are now beginning to be recognised as of pivotal importance for an understanding of the social setting in which they have evolved. The essays concentrate on Assam, Bengal, Rajasthan, Andhra Pradesh, Tamil Nadu, Karnataka and Kerala. The time-span, covered by the works discussed by the contributors, ranges from the late seventeenth century to the present day.

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