000 02277 a2200181 4500
003 OSt
005 20250408143813.0
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020 _a9781858946764
040 _bEnglish
_cSymbiosis Institute of Design
082 _a745.4
_bSID-B-13531
100 _aPatrick le Quément & Gernot Bracht
245 _aDesign Between the Lines
_bPatrick le Quément & Gernot Bracht
260 _bMerrell Publishers Ltd
_c2019
300 _a224p.
520 _aThe car industry and the way in which cars are created have changed beyond all recognition over the last half-century. Automotive styling was once the grudging afterthought when the engineers had finished their work. Now, following a short flirtation with exotic Italian design houses, it has evolved into sophisticated design carried out by multitalented in-house teams honing carefully crafted brand identities. One of the visionary designers at the forefront of that revolution has been Patrick le Quément. Most widely acclaimed for his 22 years in charge of Renault Design, resulting in such standout models as the Twingo, Scénic and Avantime, le Quément has enjoyed a 50-year career that has also taken in Simca, Ford and Volkswagen-Audi. In his foreword to the book, Stephen Bayley calls le Quément ‘perhaps the very most original designer working in the conservative car business at the turn of the millennium’. Some 60 million cars across the world now bear the unmistakable stamp of le Quément. Design: Between the Lines is not a straightforward autobiography; rather, le Quément charts his journey through five decades of thoughts, actions, failures and successes. He offers fascinating commentaries on design and the creative process, and on some of the extraordinary automotive brands that make up our shared cultural heritage. As Bayley notes, for le Quément, design is ‘as much a matter of thinking as a matter of drawing’. On a broader, more philosophical level, le Quément also shares his views about life in general and that remarkable contraption called ‘the automobile’, which has so influenced the lives of millions of people the world over from the late 1800s to the present day. Presented as a series of 50 brie
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