000			03617cam a2200433 a 4500
001			16957320
005			20181130161657.0
008			110912s2012 enka b 001 0 eng
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
925	0		_aacquire _b2 shelf copies _xpolicy default
955			_dxg08 2011-09-16 _exg12 2011-09-16 Telework to Dewey _wrd01 2011-09-16 _fxg16 2012-03-27 Z-CipVer to LL _txg21 2012-05-02 copy 2 added
010			_a 2011038186
016	7		_a015903633 _2Uk
020			_a9780521767569 (hbk.)
020			_a0521767563 (hbk.)
035			_a(OCoLC)ocn753468502
040			_aDLC _beng _cDLC _dYDX _dUKMGB _dBTCTA _dYDXCP _dBWK _dCDX _dBDX _dDEBBG _dONS _dE7B _dBWX _dDLC
042			_apcc
043			_ae-uk---
050	0	0	_aKD1289 _b.R53 2012
082	0	0	_a346.4104/8 _223
084			_aLAW050000 _2bisacsh
100	1		_aRichardson, Megan.
245	1	0	_aFashioning intellectual property : _bexhibition, advertising and the press 1789-1918 / _cMegan Richardson, Julian Thomas.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2012.
300			_axii, 190 p. : _bill. ; _c24 cm.
490	1		_aCambridge intellectual property and information law ; _v[14]
504			_aIncludes bibliographical references (p. 166-185) and index.
505	0		_aPart I. The Journalism Age -- Grub Street biographers -- Author-journalists -- Agitators and dissenters -- End of the property right -- Part II. The Exhibition Effect -- Patent inadequacies -- Exhibition fever -- Lessons and compromises -- Rise of advertising -- Part III. The Author-Brand Continuum -- Rethinking 'romantic' authorship -- The artist in an age of mechanical reproduction -- From fashion to brand -- Closing the categories.
520			_a"Vigorous public debate about intellectual property has a long history. In this assessment of the shifting relationships between the law and the economic, social and cultural sources of creativity and innovation during the long-nineteenth century, Megan Richardson and Julian Thomas examine the 'fashioning' of the law by focusing on emblematic cases, key legislative changes and broader debates. Along the way, the authors highlight how, in 'the age of journalism', the press shaped, and was shaped by, the idea of intellectual property as a protective crucible for improvements in knowledge and progress in the arts and sciences. The engagement in our own time between intellectual property and the creative industries remains volatile and unsettled. As the authors conclude, the fresh opportunities for artistic diversity, expression and communication offered by new media could see the place of intellectual property in the scheme of law being reinvented once again"-- _cProvided by publisher.
650		0	_aCopyright _zGreat Britain _xHistory _y19th century.
700	1		_aThomas, Julian, _d1963-
830		0	_aCambridge intellectual property and information law ; _v14.
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011038186-b.html
856	4	2	_3Publisher description _uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011038186-d.html
856	4	1	_3Table of contents only _uhttp://catdir.loc.gov/catdir/enhancements/fy1117/2011038186-t.html
856			_uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=024726354&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA _zInhaltsverzeichnis
856	4	0	_uhttp://site.ebrary.com/id/10533320 _3ebrary
999			_c606538 _d606538