000			02275cam a22003858i 4500
001			18899483
003			OSt
005			20170912160307.0
008			151215s2016 nyu b 001 0 eng
010			_a 2015049419
020			_a9781628922936 (hardback)
040			_aDLC _beng _cDLC _erda
042			_apcc
050	0	0	_aPN1995 _b.K485 2016
082	0	0	_a791.43/01 _223
084			_aSOC052000 _aART046000 _2bisacsh
100	1		_aKim, Jihoon _eauthor.
245	1	0	_aBetween film, video, and the digital : _bhybrid moving images in the post-media age / _cJihoon Kim.
263			_a1111
300			_apages cm.
490	0		_aInternational texts in critical media aesthetics ; _vv. 10
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: -- Table of Contents Editor's Foreword (Francisco J. Ricardo) AcknowledgmentsList of Illustrations Introduction: Hybrid Moving Images and the Post-media Conditions Chapter 1: Videographic Moving Pictures: Remediating the "Film Stilled" and the "Still Film" Chapter 2: Digital Glitch Video and Mixed-media Abstraction: Materialism and Hybrid Abstraction in the Digital Age Chapter 3: Transitional Found Footage Practices: Video In and Out of the Cinematic Fragments Chapter 4: Intermedial Essay Films: "Memories-in-Between" Chapter 5: Cinematic Video Installations: Hybridized Apparatuses inside the Black Box Afterword.
520			_a"A wide-ranging theoretical and aesthetic exploration of hybrid moving images based on the intersection of film, video, and digital technology"--
650		0	_aMotion pictures _xPhilosophy.
650		0	_aDigital media _xPhilosophy.
650		0	_aImage processing _xDigital techniques.
650		7	_aSOCIAL SCIENCE / Media Studies. _2bisacsh
650		7	_aART / Digital. _2bisacsh
776	0	8	_iOnline version: _aKim, Jihoon author. _tBetween film, video, and the digital _dNew York : Bloomsbury Academic, 2016 _z9781628922912 _w(DLC) 2016008629
856	4	2	_3Cover image _uhttp://www.netread.com/jcusers2/bk1388/936/9781628922936/image/lgcover.9781628922936.jpg
906			_a0 _bvip _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cB
999			_c591051 _d591051