000 | 03254pam a2200541 i 4500 | ||
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001 | 11418965 | ||
003 | OSt | ||
005 | 20170102131721.0 | ||
008 | 141029t20152015caua b s001 0 eng c | ||
010 | _a 2014042296 | ||
020 |
_a9780520283671 _qhardcover _qalkaline paper |
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020 |
_a0520283678 _qhardcover _qalkaline paper |
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024 | _a40024944645 | ||
035 | _a(OCoLC)ocn889728961 | ||
035 | _a(OCoLC)889728961 | ||
035 | _a(NNC)11418965 | ||
040 |
_aCU-S/DLC _beng _erda _cCUS _dDLC _dYDXCP _dBTCTA _dBDX _dOCLCO _dOCLCF _dERASA _dNhCcYBP |
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042 | _apcc | ||
043 | _aa-ii--- | ||
050 | 0 | 0 |
_aN7304 _b.K49 2015 |
082 | 0 | 0 |
_a709.54/0904 _223 |
100 | 1 |
_aKhullar, Sonal, _d1978- _eauthor. |
|
245 | 1 | 0 |
_aWorldly affiliations : _bartistic practice, national identity, and modernism in India, 1930-1990 / _cSonal Khullar. |
300 |
_axiii, 352 pages ; _c26 cm |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aAffiliation, worldliness, and modernism in India -- An art of the soil : Amrita Sher-Gil (1913-1941) -- Man and Mahabharata : Maqbool Fida Husain (1915-2011) -- The new primitives : K. G. Subramanyan (1924-) -- Paan shop for people : Bhupen Khakhar (1934-2003) -- Globalization, the new-media nineties, and the persistence of modernism. | |
520 | _a"Drawing on Edward Said's notion of 'affiliation' as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists--Amrita Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar--situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists' writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists' engagement with the West--an urgent yet fraught project in the wake of British colonialism--and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism"--Provided by publisher. | ||
600 | 1 | 0 |
_aSher-Gil, Amrita, _d1913-1941 _xCriticism and interpretation. |
600 | 1 | 0 |
_aHusain, Maqbul Fida _xCriticism and interpretation. |
600 | 1 | 0 |
_aSubramanyan, K. G., _d1924-2016 _xCriticism and interpretation. |
600 | 1 | 0 |
_aKhakhar, Bhupen, _d1934-2003 _xCriticism and interpretation. |
600 | 1 | 7 |
_aHusain, Maqbul Fida. _2fast |
600 | 1 | 7 |
_aKhakhar, Bhupen, _d1934-2003. _2fast |
600 | 1 | 7 |
_aSher-Gil, Amrita, _d1913-1941. _2fast |
600 | 1 | 7 |
_aSubramanyan, K. G., _d1924- _2fast |
648 | 7 |
_a1900 - 1999 _2fast |
|
650 | 0 |
_aArt, Indic _y20th century. |
|
650 | 0 |
_aArt, Modern _y20th century. |
|
650 | 0 |
_aModernism (Art) _zIndia. |
|
650 | 7 |
_aArt, Indic. _2fast |
|
650 | 7 |
_aArt, Modern. _2fast |
|
650 | 7 |
_aModernism (Art) _2fast |
|
651 | 7 |
_aIndia. _2fast |
|
655 | 7 |
_aCriticism, interpretation, etc. _2fast |
|
942 |
_2ddc _cB |
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948 | 1 |
_a20150701 _bc _ctp2276 _dMPS |
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999 |
_c582538 _d582538 |