000			04103cam a22003258i 4500
003			OSt
005			20150105163332.0
008			140224s2014 enk b 001 0 eng
020			_a9781107062566
040			_cSLSN
082	0	0	_a346.0482 _bFRA.E
100			_aFrankkel, Susy
245	0	4	_aEvolution and equilibrium of copyright in the digital age / _cedited by Susy Frankel, Daniel Gervais.
260			_aUnited Kingdom _bCambridge University Press, _c2014,
300			_ax, 325.:pages
490	0		_aCambridge intellectual property and information law ; _v26
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: Evolution and equilibrium: an introduction Susy Frankel and Daniel Gervais; Part I. Central Players: Authors, Owners, Intermediaries and Users: 1. Exceptional authorship: the role of copyright exceptions in promoting creativity Jane C. Ginsburg; 2. After twenty years: revisiting copyright liability of online intermediaries Niva Elkin-Koren; 3. Overlapping rights: using trademark law to enforce 'copyright'? Irene Calboli; Part II. New Enforcement Regimes: 4. Beyond graduated response Rebecca Giblin; 5. The rise of criminal enforcement of intellectual property rights... and its failure in the context of copyright infringement on the Internet Christophe Geiger; 6. Administrative enforcement of copyright law in China: a characteristic deserving praise or repealing? Luo Li; Part III. Old Legal Techniques and New Challenges: 7. Out of time? Copyright law and the Australasian judiciary in the digital age Susan Corbett; 8. Internet service provider liability for copyright infringement in Latin America Pablo Wegbrait; 9. New technologies and the scale of copyright infringement: should size matter to liability? Graeme Austin; 10. Facilitating access to information: understanding the role of technology in copyright law Brad Sherman and Leanne Wiseman; Part IV. The Collective Management Solution: 11. Is there potential for collective rights management at the global level? Perspectives of a new global constitutionalism in the creative sector Christoph Graber; 12. Collective management in the twenty-first century from a competition law perspective Yee Wah Chin; 13. Copyright on the Internet: consumer copying and collectives Glynn Lunney; 14. Coda: fair trade music: letting the light shine in Eddies Schwartz.
520			_a"The digital age has prompted new questions about the role and function of copyright. Internationally, copyright has progressively increased its scope of protection over new technology and modes of distribution. Yet many copyright owners express dissatisfaction and consider that the system is not working for them. Many users of copyright material, and even some owners, consider that copyright gives too much protection and that copyright owners want too much. This book considers how copyright might evolve in the twenty-first century and how it might reach equilibrium between authors, owners, users and those who connect them"--
520			_a"It is axiomatic to suggest that copyright and its utility in the digital environment are important issues. There is much debate of the role and appropriate parameters of copyright (how should copyright works be available and protected online and how should fair uses work in the online environment) where the availability of works is more international than ever before. The importance of the issues and the difficulties seem to have resulted in some aspects of the debate becoming significantly polarised and those at the poles are frequently uncompromising"--
650		0	_aCopyright and electronic data processing.
650		0	_aDigital rights management.
650		0	_aCopyright _xElectronic information resources.
650		7	_aLAW / Intellectual Property / General. _2bisacsh
700	1		_aFrankel, Susy, _eeditor of compilation.
700	1		_aGervais, Daniel J., _d1963- _eeditor of compilation.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc
955			_bxg08 2014-02-24 _ixg08 2014-02-24 ONIX
999			_c256531 _d256531