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Type now : a manifesto ; plus, Work so far / Fred Smeijers.

By: Contributor(s): Material type: TextTextPublication details: London : Hyphen, 2003.Description: 142 p. : ill. (some col.), ports. ; 23 cmISBN:
  • 0907259243 (pbk.) :
Subject(s): DDC classification:
  • 686.224 22 SID-B-9872
Summary: With the desktop publishing revolution of the 1980s, typographic design came within the reach of anyone with a home computer. Since that time, we have seen a boom in the production of new fonts. This book takes stock of what was achieved during this protean period. Smeijers, a first-generation digital type designer, knows the possibilities of computer technology, but nevertheless argues for the continuing validity of the traditional skills of drawing and shape-making. He suggests that the trends of the recent past are already exhausted. As new industry standards are introduced, font design must again become a job for engineers rather than self-trained designers. The book concludes that the number of new fonts being introduced must be reduced, and it ends with a proposal for a new "moral code" for type designers.
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Item type Current library Call number Status Date due Barcode
Books Books Symbiosis Institute of Design On Display 686.224 SID-B-9872 (Browse shelf(Opens below)) Available SID-B-9872

Published on the occasion of an exhibition at the Royal Academy of Art, The Hague as part of the second Gerrit Noordzji Prize.

With the desktop publishing revolution of the 1980s, typographic design came within the reach of anyone with a home computer. Since that time, we have seen a boom in the production of new fonts. This book takes stock of what was achieved during this protean period. Smeijers, a first-generation digital type designer, knows the possibilities of computer technology, but nevertheless argues for the continuing validity of the traditional skills of drawing and shape-making. He suggests that the trends of the recent past are already exhausted. As new industry standards are introduced, font design must again become a job for engineers rather than self-trained designers. The book concludes that the number of new fonts being introduced must be reduced, and it ends with a proposal for a new "moral code" for type designers.

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